Thousands of particles released into a Perlin-noise vector field trace long, looping ribbons. The composition never resolves — each strand is pulled by the same invisible currents that animate weather and water.
From Numbers to Forms — generative & data art | Murat Koptur
A short series following one orbital system across three parameter settings — warm, cool, and violet phases. Each frame is the same rule set seen at a different point in its sweep. Use the thumbnails to move between the studies.
A plane partitioned by proximity. Each region claims the space closest to its seed, producing an organic mosaic that echoes cell membranes, territory maps, and crystal grains alike.
Four bodies orbit a shared center at periods tuned to small integer ratios. Over a long loop they drift in and out of alignment, sketching the quiet mathematics of orbital resonance.
Three harmonics breathe against one another, their interference rendered as overlapping curves. The piece is a portrait of sound at rest — the shapes a tone would make if you could hold it still.
A disciplined grid where each cell pulses on its own clock. Order in the layout, chaos in the timing — the eye keeps searching for a pattern that is always just dissolving.
A frequency spectrum bent into a horizon. Bars rise and fall like a city skyline at sunrise, each one a band of sound stretched across a gradient from violet night to teal morning.
Nodes settle into place under simulated attraction and repulsion, their links drawn taut. The result reads as a constellation — structure emerging from nothing but local rules and a little gravity.
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